Garrett Hope is a composer, entrepreneur, and business coach, as well as the podcaster behind The Portfolio Composer (originally titled Composer on Fire). Like me, he loves helping other composers to navigate their careers, and he’s currently putting together an online course, which will launch in September, to teach composers how to market their works more effectively.
During our wide-ranging conversation, we talked about:
Three months after his first appearance on the show, entertainment/copyright lawyer and MPP Superfriend Marc Ostrow is back to talk some more about Fair Use, with me supplying a few hypothetical situations. But more importantly, Marc lays out the Department of Justice’s recent and unexpected ruling that PROs must abandon 70+ years of established industry practice and adopt a 100% Licensing regime, and what that means for you.
During the conversation, we covered:
Marc Ostrow: 100% Licensing summary and reaction
Marc Ostrow: Letter to DoJ
U.S. Copyright Office’s reaction to 100% Licensing ruling
MusicTechPolicy Podcast explaining 100% Licensing
Marc Ostrow: “Do You Have The Chutzpah To Take A Gamble On Fair Use?”
Megan Ihnen is a Des Moines, IA-based mezzo-soprano and “tireless promoter of contemporary classical music for the voice.” For this week’s episode, we sat down to talk about building community, being generous, and writing for the voice.
Throughout the conversation we covered:
Thomas Deneuville is another musician whose friendship I owe to Twitter, which is only fitting considering his affinity to and facility with social media. Thomas is the founder of the online new music magazine I Care If You Listen, which he created in December 2010, and has since grown to includeICareIfYouListen.tv, a fully-fledged media platform dedicated to user-generated new music videos. A testament to his ingenuity and love of the world of new music, Thomas and I Care If You Listen won the 45th Annual ASCAP Foundation Deems Taylor Media Award in 2013.
Outside of ICIYL, Thomas teaches, consults, and speaks about web design, email marketing, social media, and analyzing online metrics, as they pertain to musicians and other artists. He is also the digital content manager for Cornell University.
During the course of this week’s episode, we talked about:
In November 2015, Dale Trumbore recommended that Kurt Knecht and I talk about me joining MusicSpoke, an online retailer of self-published scores run by Kurt and his wife Jennifer Rosenblatt. I've been a MusicSpoke composer ever since, and have a number of my scores available for sale there.
Because Kurt & Jennifer run MusicSpoke with such dedication, zeal, and transparency, I wanted to highlight their business, which does so much for the composers involved, and for the community in general, and to talk about digital distribution in general.
In the course of our conversation, we covered:
<li>The wall that traditional publishers represent between composers and score purchasers</li>
<li>The monetary difference between traditional publishing and distribution deals</li>
<li>Reading sessions at conferences</li>
<li>Curating lists of works</li>
<li>Making use of connections in your own state</li>
<li>Using physical scores to make digital sales</li>
<li>The rarely-considered middlemen in scores sales</li>
<li>Piracy, digital rights management, and copy licensing agreements</li>
<li>How people who have no intention of paying aren’t going to pay - either through piracy or not buying at all</li>
<li>How music schools inadvertently foster a culture of piracy</li>
<li>The future of score sales and digital distribution</li>
<li>The hyper-scrupulous honesty of many score purchasers</li>
<li>Fostering community among composers</li>
<a href="http://musicspoke.com/" target="_blank">MusicSpoke</a>
<a href="http://facebook.com/musicspoke" target="_blank">MusicSpoke on Facebook</a>
<a href="https://twitter.com/hearMusicSpoke" target="_blank">MusicSpoke on Twitter</a>
<a href="http://kurtknecht.com/" target="_blank">Kurt Knecht</a>