Composer & conductor Dominick DiOrio is a supremely talented musician, and we have many friends in common who have raved about him to me over the years. He's a widely-respected choral conductor, and a huge champion of new music, so I've been interested in getting him on the show from the word "go".
We have a few audio issues at the beginning of the episode, but everything smooths out nicely after a few minutes, and we have a really wonderful chat.
In the course of our conversation, we talk about:
<li>Wearing the dual hats of conductor and composer</li>
<li>How performative pursuits can inform your writing, and vice versa</li>
<li>Common score review practices for choral conductors</li>
<li>Composers who have (or don’t have) a vocal sensibility</li>
<li>Adjudicating competitions, and what disqualifies many entries in the first round</li>
<li>Recording requirements in competitions</li>
<li>The evolution of choral music in the US, and its effect on choral writing</li>
<li>The affinity toward new music in the choral world</li>
<li>Operatic vocal technique as the primary style taught to voice majors</li>
<li>Giving students compositional tools without pushing them into a particular style</li>
<li>Submitting works to conductors and ensembles</li>
<a href="http://www.dominickdiorio.com/" target="_blank">Dominick DiOrio</a>
<a href="http://music.indiana.edu/departments/ensembles/cve/index.shtml" target="_blank">NOTUS: IU Contemporary Vocal Ensemble</a>
<a href="http://www.graphitepublishing.com/" target="_blank">Graphite Press</a>
Alexandra Gardner is a great composer who, thanks in no small part to her time as an Associate Editor for NewMusicBox, knows a lot about the nuts and bolts workings of the concert music world. For this week, she and I sat down to talk about a wide range of practical considerations for composers.
After having never met Rob Deemer before in person, I had TWO conversations with him in less than a week for the podcast! Conversation No. 1 was marred by some unexpected audio issues, so we re-recorded less than a week later, and that's what you're getting this week.
During Convo No. 2, we talked about:
<ul><li>How side projects can boost your career</li>
<li>Being able to talk about your music</li>
<li>Labels as specifiers & Labels as marketing</li>
<li>Drawing parallels between concert music and other fields</li>
<li>The ways we talk about “new music”</li>
<li>Music as an Experience</li>
<li>Social media as a serious form of professional communication</li>
<li>Interacting with musicians when you (or they) live outside of a major metropolitan area</li>
<li>Teaching inexperienced artists how to interact on social media</li>
<li>Forming deeper relationships online</li>
<li>Building community in different ways</li>
<li>Relating public professional interactions to professional didactic experiences</li>
<li>Operating as a professional online</li>
<li>Being human and approachable online</li>
<li>Teaching teachers to compose</li>
<li>Teaching entrepreneurship and business skills</li>
<li>The history of self publishing & the history of teaching music in universities</li>
<li>Short term gains vs. long term sacrifices in publishing</li>
<li>Making educated and thoughtful business decisions</li>
<li>Balancing your time between admin tasks and writing</li></ul>
Since we covered such vastly different material in each conversation (of course with not-insignificant overlap), we've decided to offer our first conversation as "bonus content" for this week's episode, if you don't mind listening to "the sexiest voice in classical music" through a slight haze of static. Download it <a href="http://traffic.libsyn.com/musicpubpod/MPP8.5_Rob_Deemer_Take_One.mp3" target="_blank">HERE</a>.